Origin of Narcocorridos

In the book, The Handbook of Texas Dan Dickey writes that in the late 1940s and 1950s when Tex-Mex music became commercialized, so did the harmony called corridos. substantiate then it became popular to hear songs active medicate smuggling and violence. Music from the genre corridos which was about drugs and drug smuggling was called narcocorrido, which some would say is Mexicos style of gangsta rap. An excellent example of narcocorrido would be El Avion de la Muerte (The Plane of Death) performed by Los Tigres del Norte, which is arguably one of the most popular corridos doughnuts in history.Los Tigres del Norte submit written and performed many songs throughout their career. This renowned Mexi throw out band started in 1968 and was made up of three brothers (Jorge, Raul and Hernan Hernandez) and their cousin (Oscar Lara). They started to p beat their grandparents instruments in bars, and like thousands of immigrants they crossed the border to make it in America. Their first smash came in 1970 and was a song about two rival drug dealers. However, in 1972, their song Contrabando y Traicion (Contraband and Betrayal) became a discipline of controversy.Not only was it about drug smuggling but how a woman killed a man before he could aban tangle with her. wherefore would the act of murder committed by a woman sparkling such controversy? Batailles tells us that, Such a divinely violent manifestation of violence elevates the victim above the humdrum military personnel where men live out their calculated lives. To the primitive consciousness, death can only be the result of an offence, a failure to obey (Bataille, 82). however before Los Tigres del Norte, there was Rosalino Chalino Sanchez, a renegade artist from Sinaloa, a offer in the north of Mexico that is well known for its abundant marijuana fields. Hodgson writes, When he was 15, Sanchez shot and killed a man who had raped his sister, and fled to California, where for a while he worked as a coyote, smuggling illegal immigrants and drugs across the border. Only when he was arrested, and spent nearly a year in Tijuana prison, did he part his skill at song writing.He began composing corridos for fellow inmates, and erst outside, found his skills in demand from both dealers and legitimate immigrants. While non the best singer, his incredible lyricism built his reputation quickly. Having take in his avenue credibility in jail, he soon afterwards was contacted by famous Mexican drug lords who would commission him to write songs about them and their criminal exploits. To befuddle some light on this spell with death, we can turn to source Margaret Atwood in her book Negotiating with the Dead All writing of the narrative kind, and perchance all writing, is motivated, deep down, by a fear of and a fascination with mortality by a desire to make the risky chemise to the Underworld, and to bring something or someone back from the dead (157). Chalino, in this way, had a sought- after ability to immortalize the Mexican drug lords. Chalino, himself, portrayed the stomach image of the Mexican cowboy. After dealing with the narcotraficantes, he acquired both hefty friends and enemies.According to an informer that talked to Martin Hodgson, The cartels used the groups music to lay out a code of conduct for its members Through the corridos comes the philosophy, how the members of the cartel have to behave. If you listen carefully, the songs tell you what they did wrong. You learn what you have to do so they dont kill you. At the same time, the death drug-lords became heroes through corridos. well-nigh enjoyed their hero status while still alive, but most of them earned it after death. This returns us again to Beckers introduction to Human character and the Heroic in his book The Denial of Death.He explains, The problem of heroics is the substitution one of humanity life, it goes deeper into human nature than anything else because it is based on organismal narcissism and on the childs need for self-esteem as the condition of human life. Society itself is a codified hero system, which meaning that society everywhere is a living myth of the significance of human life, a defiant creation of meaning. Hence, by commissioning corridistas to write about them, narcotraficantes could satisfy that narcissism and become heroes in their own right.